Introducing The Ceremony Index — A New Resource Uncovering the Data, Behaviour and Cultural Shifts Reshaping the Wedding Industry

The Ceremony Index

Published February 2026 Interview by MARGIE RIDDIFORD

Weddings sit at the intersection of emotion, identity, culture and commerce, and few people are analysing that unique collision as closely as Chelsea Jackson. With her new research project, The Ceremony Index, this US-based bridal strategist offers a clear framework for understanding what couples are choosing, the reasons why and what that means for the future of modern ceremony.

“Bridal is one of the few consumer categories where economics, identity, culture, and ritual all collide,” Chelsea Jackson tells me. “It doesn’t need more inspiration or louder trend cycles, it needs better interpretation and it deserves to be taken seriously... it carries enormous emotional and cultural weight.”

Jackson, a United-States-based bridal strategist and analyst whose career spans editorial styling, retail operations and cultural analysis, has just launched a significant body of research that she is calling The Ceremony Index — and it will change the ways in which we understand (and engage with) weddings. “This is an industry that carries enormous emotional, cultural, and economic weight,” she says, explaining how it is the unique collision of high feeling, high visibility and high spend that makes the wedding industry such a revealing space, and one that, she believes, “deserves far more nuance than it’s usually given.”

With The Ceremony Index, Jackson is offering clarity by stepping in where traditional trend reports fall short. The result is an essential new resource for both couples and industry leaders: a document designed to be “returned to… when things feel noisy or contradictory,” rather than skimmed and discarded. Instead of forecasting what’s “in,” The Ceremony Index translates complex cultural and behavioural shifts into patterns that can actually guide decision-making, offering language and context at a moment when confidence can be knocked by the sheer amount of information and brands vying for attention. For founders, creatives, planners and partners navigating a recalibrating market, it functions as both compass and reassurance by presenting a framework through which we can understand not just what people are choosing, but why, and how to support them in a more real way.

The Ceremony Index exists to offer language and clarity at a moment when many feel disoriented. At its core, this work is about care — for the people getting married and for the people building the industry.

Here, we sat down with Jackson ahead of The Ceremony Index launch to understand how this incredibly detailed piece of research came about, and its implications for the future of weddings.

The Ceremony Index can be accessed here, with 10 percent of the proceeds donated to United We Dream, an immigrant-led nonprofit advancing the rights, dignity, and protections of immigrant communities across the United States.

Chelsea Jackson
The Ceremony Index
Before we talk data, tell me about your path into the wedding industry.

I came into bridal through an aesthetic doorway. Early in my career, I worked as an editorial stylist at a moment when bridal imagery was just beginning to be treated as serious creative storytelling.

Planning, styling and sharing my own wedding deepened that relationship. It was when I realised bridal isn’t just about how things look, but how meaning is constructed through design, ritual and choice — often under far more pressure than the industry acknowledges.

What kept me in bridal, though, wasn’t just aesthetics; it was the people. Bridal is one of the few areas of fashion largely built, run and sustained by women. Supporting that ecosystem has always felt like a calling rather than a career move.

Over time, my focus shifted from styling to operations. I spent years leading an industry retailer, overseeing buying, inventory, designer relationships, pricing and performance. Being that close to the machinery of bridal gave me a different vantage point. Studying sociology and identity politics alongside that work sharpened my interest in how people make decisions under pressure, how value is defined when emotion and money collide, and how culture shapes both the bridal experience and the industry.

Now, my work is about synthesis. I look at data, behaviour, language and lived experience together — not to predict trends, but to understand what is already shifting and what that means for the people building this industry. Alongside The Ceremony Index, I host a podcast, Showroom Theory, and consult for emerging bridal brands on strategy and growth.

Was there a moment you realised that this industry needed deeper analysis?

It wasn’t one dramatic moment, but an accumulation of signals. I noticed a widening gap between how meaningful weddings are to people and how simplified the industry’s narratives had become. The same language and assumptions were being repeated, even as behaviour was clearly changing.

Couples were deeply intentional but quietly overwhelmed — confident in their values, yet unsure how to translate them into decisions. At the same time, brands were working harder than ever to keep pace with visibility and speed, often without insight into what was actually driving choice.

It became clear bridal didn’t need more inspiration or louder trend cycles. It needed better interpretation — a way of looking at economics, culture and emotion together, and asking not just what is changing, but why.

The Ceremony Index
The Ceremony Index
You work at the intersection of emotion and data. Why does bridal benefit from a strategic lens?

Bridal is uniquely revealing because economics, identity, culture and ritual all collide there. Weddings compress enormous meaning into a short decision window. People make choices about identity, legacy and value — often for the first time and under public scrutiny.

A strategic lens doesn’t strip away emotion; it helps us understand how it operates. When we look at data alongside culture, we see where confidence is strong, where it falters, and where choice becomes paralysing. That insight helps the industry design and build with more care and less noise.

What gap does The Ceremony Index fill? Who is it for?

I wasn’t interested in another report telling people what’s ‘in’. What felt missing was interpretation: understanding why shifts are happening and how they connect across culture, behaviour and economics.

The Index is not predictive or prescriptive — it’s interpretive. It translates repeated signals into patterns people can actually use. The goal is clarity, not acceleration.

I built it for founders, creatives and operators who don’t need more inspiration, but do need a framework for decision-making. It’s designed to be returned to when things feel noisy or contradictory.

What are the key takeaways from the first issue?

First, fewer weddings do not mean less importance. Each decision now carries more weight, changing how people choose and invest.

Second, confidence has become bridal’s most valuable currency. Couples are intentional but exhausted. Brands succeeding now offer clarity and reassurance, not just beautiful products.

Finally, we’re seeing a rebalancing between tradition and self-definition. Couples are reshaping ritual — keeping what feels meaningful, discarding what feels performative, and investing more deeply in fewer things.

What was the most surprising insight?

Intention hasn’t decreased; it has intensified. People aren’t opting out — they’re editing. Slower timelines or fewer choices often signal discernment, not doubt.

That reframes success. The opportunity isn’t to add more, but to support confident editing. Brands that understand that earn trust rather than chase attention.

The Ceremony Index
The Ceremony Index

How would you describe the industry right now?

I would describe this moment as a recalibration, not correction. The industry expanded rapidly over the last decade both in visibility and expectation. There have been a few defining cultural forces driving that acceleration (some exciting, some exhausting) from the hyper-visibility of the influencer economy to the post-pandemic bridal boom. That growth brought incredible creativity, but it also introduced a lot of noise. What we’re seeing now is a slowing that’s forcing greater intentionality, for couples and for brands.

Recalibration is uncomfortable, but productive. It creates space to redefine value and design experiences that feel grounded rather than performative.

Where is the biggest disconnect between what brands are offering and what couples actually care about?

Volume versus reassurance. Many brands are still responding to uncertainty by offering more — more options, more collection drops, more noise — while couples are actually looking for help narrowing, choosing and committing.

What couples want is to feel certain that what they’re choosing aligns with who they are, that it will hold meaning over time, and that they won’t regret the decision once the moment has passed. When brands focus primarily on breadth or speed, that need goes unmet.

The brands that feel most in sync with couples today are the ones that act less like catalogs and more like guides. They don’t overwhelm. They contextualise. They understand that in a high-stakes emotional moment, clarity is more valuable than abundance.

What are we talking about too much? (And not enough?)

Too much about aesthetics. Not enough about how people actually feel navigating the process: uncertainty, comparison fatigue, fear of getting it wrong.

We also under-discuss operational realities — how trust is built and how systems reduce friction. Those conversations are less glamorous, but essential.

How confident do couples really feel when making decisions right now?

Confidence is more fragile. Couples know what they care about but are navigating constant comparison. Choice introduces doubt.

When people are given frameworks (fewer options, clearer guidance) confidence returns quickly. The solution isn’t more information, but better interpretation.

The Ceremony Index
The Ceremony Index
How has social media changed behaviour?

Weddings have shifted from private milestones to partially public performances. Decisions are often made with an imagined audience in mind.

This shows up in how couples research, compare, and validate their choices. Social platforms compress time and context, placing thousands of weddings side by side without the nuance of circumstance, culture, budget, or intention. That environment can accelerate inspiration, but it can also heighten self-consciousness and delay commitment.

This isn’t inherently negative (after all, social media has expanded access and representation) but it changes the emotional conditions under which decisions are made. Behavior shifts not because people care less, but because they’re trying to make meaning in a louder, more comparative landscape. Understanding that tension is essential for brands that want to support couples rather than simply capture attention.

Are couples spending differently?

Yes. They’re investing more deeply in fewer, more meaningful choices. Value is defined less by scale and more by resonance, authorship and longevity.

This isn’t minimalism; it’s discernment.

Looking ahead, what matters most?

Clarity of intention. Brands that help people feel grounded will stand out. The industry will need to balance creativity with care — designing for confidence, not just impact.

The future of bridal isn’t about reinventing ceremony. It’s about stewarding it thoughtfully as culture and identity evolve.

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